Why Filmmakers Are Moving To YouTube Movies – Deyemi Okanlawon

Why Nigerian Filmmakers Are Choosing YouTube Over Cinemas and Streamers in 2025 – Insights From Deyemi Okanlawon

Nigerian Filmmakers Are Choosing YouTube Over Cinemas and Streamers

Nollywood is undergoing a quiet revolution, and YouTube is at the heart of it. According to veteran actor and producer Deyemi Okanlawon, more Nigerian filmmakers are opting to release their movies on YouTube instead of traditional cinemas or global streaming platforms.

Speaking on Rubbin’ Minds, Okanlawon highlighted YouTube’s democratic structure as the key reason for this migration

, explaining that independent producers often face serious challenges in cinema distribution. From limited showtimes to costly marketing requirements, the obstacles can make theatrical releases unprofitable—especially for newcomers.

“Taking a film to cinema is really difficult for an independent filmmaker, especially if you’re starting out,” he said. “There are so many things you’ll find as obstacles. It’s not really to their advantage. That’s why a lot of serious filmmakers are now gravitating towards YouTube. It’s very democratised. Nobody’s standing in your way.”... Read complete content click link below

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He pointed out that gatekeeping by cinemas—through politics, marketing budgets, or producer popularity—often prevents quality films from getting fair exposure. In contrast, YouTube allows direct access to audiences, making it a more level playing field.

Even for those who have managed success at the box office, the financial returns can be disappointing. Okanlawon revealed that despite grossing over ₦130 million in cinemas, he only received about 40% of the earnings after revenue splits with cinemas and government taxes. “That didn’t cover my costs,” he admitted.

In 2019, the actor took a break from acting to study the business side of film distribution. He joined Silverbird Film Distribution as head of marketing, was later promoted to head Nollywood distribution, and even briefly served as the acting CEO in 2021. This behind-the-scenes experience equipped him with a clearer understanding of the industry’s structural issues.

Okanlawon also addressed the recent pullback by major streaming platforms from commissioning Nigerian originals. According to him, global streamers were hoping to find breakout hits like Squid Game or Money Heist in Nigeria but didn’t get the traction they expected. As a result, many are now focusing on regional licensing and geo-blocking rather than original production deals.

Despite these challenges, Okanlawon remains optimistic: “No matter where I find myself, whether it’s a Netflix original, a cinema film or now on YouTube, I’m going to give my 100%.”

With shifting audience habits, distribution economics, and rising global visibility, YouTube is quickly becoming the go-to platform for many Nollywood filmmakers who are ready to bypass gatekeepers and connect directly with their audience.

Source: Channels TV

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